Dutch Baroque Era Painter, 1619-1668 Dutch painter and draughtsman. He was the eldest son of the painter Paulus [Pauwels] Joostens Wouwerman of Alkmaar (d 28 Sept 1642), whose two other sons, Pieter Wouwerman (1623-82) and Johannes Wouwerman (1629-66), also became painters. Philips probably received his first painting lessons from his father, none of whose work has been identified. According to Cornelis de Bie, Wouwerman was next apprenticed to Frans Hals, although no trace of Hals's influence is discernible in Wouwerman's work. Wouwerman is also reputed to have spent several weeks in 1638 or 1639 working in Hamburg in the studio of the German history painter Evert Decker (d 1647). While in Hamburg, he married Annetje Pietersz. van Broeckhof. On 4 September 1640 Wouwerman joined the Guild of St Luke in Haarlem, in which in 1646 he held the office of vinder (agent or 'finder'). Given the many southern elements in his landscapes, it has repeatedly been suggested that Wouwerman must have travelled to France or Italy, but there is no documentary evidence that he left his native Haarlem for more than short periods.   Related Paintings of Philips Wouwerman :. | Dune Landscape | skimmel och pojke | Cavalier Holding a Dappled Grey Horse | Winter Landscape with Wooden Bridge | Heranziehender Soldatentrob mit Marketenderinnen und Kindern, ein Bauerngehoft plundernd |
Related Artists:
Wilmot Pilsbury,RWS
1840-1908
shah-u-gada
In Vishnudharmottara Purana, Kubera is described as the embodiment of both Artha ("wealth, prosperity, glory") and Arthashastras, treatises related to it and his iconography mirrors it. Kubera's complexion is described as that of lotus leaves. He rides a man - the state personified, adorned in golden clothes and ornaments, symbolizing his wealth. His left eye is yellow. He wears a armour and necklace upto his large belly. His face should be inclined to the left, sporting a beard and moustache and with two small tusks protruding from the ends of his mouth, representing his powers to punish and bestow favours. His wife Riddhi - representing the journey of life - is seated on his left lap, with her left hand on the back of Kubera and right holding a ratna-patra ("jewel-pot"). He should be four-armed, holding a gada (mace - symbol of dandaniti - administration of justice) and a shakti (power) in his left pair and standards bearing a lion - representing artha and a shibika (a club, the weapon of Kubera). The nidhi treasures Padma and Shankha stand besides him in human forms with their heads emerging from a lotus and a conch respectively. Agni Purana states that Kubera should be installed in temples as seated on a goat with club in his hand. Kubera's image is prescribed to be of gold with multi-coloured attributes
Sir Francis Drake
1540-1596,English admiral, the most renowned seaman of the Elizabethan Age. Brought up by his wealthy Hawkins relatives (see John Hawkins) in Plymouth, Drake went to sea at about age 18. He gained a reputation as an outstanding navigator and became wealthy by raiding and plundering Spanish colonies. In 1577 he set sail with five ships, but ultimately only his flagship, the Golden Hind, made its way through the Strait of Magellan into the Pacific and up the coast of South and North America. He sailed at least as far north as what is now San Francisco, claiming the area for Elizabeth, and continued westward to the Philippines and around the Cape of Good Hope. Having circumnavigated the globe, he returned to Plymouth, Eng., in 1580 laden with treasure, the first captain ever to sail his own ship around the world. In 1581 he was knighted. Appointed vice admiral (1588), he destroyed ships and supplies destined for the Spanish Armada and delayed the Spanish attack for a year. But he is not known to have played any part in the battle that eventually occurred. In his lifetime, his reputation at home was equivocal, yet his legend grew. On his last voyage he succumbed to fever and was buried at sea.